This new version confirms the status of Avid Xpress Pro as the most powerful and inexpensive mounting medium on the market. Avid Xpress Pro provides users with mounting medium with unmatched media management capabilities, including the ability to mix SD and HD formats in real time.
There is one good reason why almost all modern films and television shows that go in prime time, were created on systems Avid В®: nowhere else you will not find such flexibility in implementing their own ideas. All of this applies to the Avid Xpress В® Rro, which is a full-featured editing environment for working with media data formats HD, DV, SD and footage, which is as perfect as a portable tool for rough editing for any system of Avid. Realize your ideas
with Avid Xpress Rro.
Product Highlights
• Support for HD, including HDV, DVCProHD and DNxHD; support uncompressed SD video with 10-bit color;
• Multikamerny installation in real time;
• Support for P2 and XDCAM HD;
• AVX 2 for processing effects in real time and 16-bit quality;
• Ability to view the footage in full screen mode;
• Creating a DVD in one step;
• Support for Avid Mojo SDI.
Whats new in 5.8.4
Fixed in v5.8.4
The following have been fixed in this release:
• When loading a progressive master clip into an interlace project, you will be prompted to perform a transcode. If you try to perform the transcode, you will receive a message indicating the “Transcode cannot be completed because the source contains an unsupported resolution.” This is as designed. The editing application does not support transcoding from progressive to interlaced material.
• Previously, you might have received an error when transcoding clips from OMF to MXF with no change in resolution. This has been fixed.
• Previously, the source timecode might have shifted when performing an edit while capture.This has been fixed.
• Previously, when performing a multi resolution ingest, parameters such as Tape name, Duration, and Tracks, might have changed. This caused problems with transferring clips between sites and archiving. This has been fixed.
• Previously, the Pan & Zoom effect used drive letters when accessing the image to be used for the effect. This does not work in a collaborative environment because the drive is only valid on the system that created the effect. UNC paths are now used.
• Previously, when logged in using a non-Administrator account, a capture or digital cut might not have been frame accurate on the Symphony Nitris. This has been fixed.
• Previously, HD-SDI embedded audio output might have sounded distorted on some audio devices. This has been fixed.
• Previously, HD-SDI embedded audio was not being output to the Panasonic AJ-HD1700 successfully. This has been fixed.
• Previously, when you selected Render IN to OUT, not all the effects might have been
rendered. This has been fixed.
• Previously, when the editing application was indexing files, in a non Avid Interplay environment, you would receive out of memory errors. This has been fixed.
Fixed in v5.8.3
The following have been fixed in this release:
• Sound TC was counting at 24fps as opposed to 30fps in 1080p23 projects, causing the Sound TC information to drop out before the end of the clip. This has been fixed.
• Effects that were nested inside a submaster effect might have appeared as black instead of letting the lower video layers show through. This has been fixed.
• Previously after opening, closing, or saving a bin, the system might hang. “Not responding” would appear in the title bar. This has been fixed.
• Previously, locators placed on a title track did not reappear after the original title media was deleted and then title media was recreated.
• If you have problems with batch capture accuracy for footage captured over 1394 due to undetected small timecode breaks, enable the “Enable detection of small timecode break” option located in the Capture Settings DV& HDV tab.
• Previously, you might have been unable to transcode 720p 50 to 1080p 25. This has been fixed.
• Previously, you might have received a “Video Overrun” error when capturing 720p or 1080p with more than 2 AES/EBU audio tracks. This has been fixed.
• Previously, if you transferred a sequence with a long name to AirSpace, the sequence would fail to transfer with a “requested function is not implemented” message. A more accurate message of “Sequence name exceeds 63 characters” now appears.
Fixed in v5.8.1
The following have been fixed in this release:
• A permission problem that might have occurred depending on how you set up your Avid Interplay user database has been fixed. For more information, see the Avid Interplay Readme. This change only affects editors in an Avid Interplay environment.
• The x.8.1 release did not include a Macintosh version of the editing application. The only fix included with this release applied to the Windows version of the application.
System requirements:
Minimum
• Operating System: Microsoft Windows XP 32-bit Edition - Service Pack 2. Microsoft Vista is not supported.
• System Memory: 1GB DDR2 SDRAM (2GB recommended for HD and high-stream count SD projects: 4GB (4 x 1GB) required for HP xw8400 workstations in Avid Unity MediaNetwork 5.0 environments
• One of the following processors: (minimum speed listed)
Xeon 2.4 GHz (single or dual core)
Intel Core 2 Duo 2.13 GHz
Intel Core Duo 1.67 GHz
Pentium 4 1.8 GHz
Pentium M 1.8 GHz (mobile)
Pentium D 1.7 GHz (mobile)
• Qualified graphics card (per model, as supported by system vendors)
• Qualified IEEE-1394 FireWire port (integrated or add-in card; Avid Mojo is not supported on notebook systems with PCMCIA cards of any kind)
• 40GB or larger internal drive
• DVD-ROM or DVD + RW drive
• QuickTime 7.1 or higher; Windows Media Player 10 (with version 9.5 codecs)
Lang: English
Medicine: yes
Lynda.com - Avid Xpress Pro 5 Essential Editing
Publisher: lynda.com, Inc
Language: English
All filmmakers and television producers (budding and experienced alike) will probably use an Avid product at some point in their careers. Avid Xpress Pro 5.5 Essential Editing covers the latest version of this high-end editing application, from the basics of using its interface to the ins and outs of rendering, creating titles and credits, and importing and exporting footage. Chris also demonstrates a range of hands-on editing techniques. Exercise files accompany this training.
Topics Include:
* Exploring and customizing the user interface
* Organizing media and planning a story
* Editing essentials
* Moving clips around on the timeline
* Adding and modifying transitions
* Using the Effects palette and editor
* Rendering principles
* Creating titles and credits
* Editing and manipulating audio
* Importing footage and live capture
* Recording to tape
* Exporting files and media
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